Forgoing setting up our tents, we sprinted to the main stage upon our arrival to the festival just in time to watch the dub-step phenomenon Pretty Lights. A steady supply of glow sticks were thrown into the air through out the concert with every bass drop and strobe light shutter. A rambunctious, and frankly utterly keyed audience enjoyed an impressive light show and samples of popular songs strewn over bass heavy techno beats. By far the highlight of the concert was Pretty Lights' "Finally Moving" featuring the vocals made popular by Avicci's "Levels". "I know ya'll know this shit!" screamed Pretty Lights, as the chorus kicked in. Every light in the mainstage's apparatus angled upwards and lit up the entire audience as everyone sang along "wooah sometimes, i get a good feeling'. We apparently missed a surprise mini set from Macklemore, but Pretty Lights blew me away and set a high standard for the concerts to come.
Seattle's Sol followed with an electrifying performance appropriately beginning at 4:20 in the afternoon. Greeting the audience with green stoner shades, Sol performed a number of songs off his latest album "Yours Truly". Despite playing at the same time as Childish Gambino, Sol drew a much bigger audience than the small stage could handle. Demonstrating that he deserved a set on a larger stage, the audience crowded the front of the stage and pissed off a lot of the security people. "I'm not Snoop Dog I don't need that shit" Sol yelled as he emphatically asked the crowd to move back.
Still, Sol's concert was one of the best we saw. His new hit song 2020 was my favorite of the performance. In addition, Sol's crowd was refreshingly more "normal" than most of the other Sasquatch goers we saw. My friend Jack aptly stated that "Sasquatch is pretty much a gathering of some of the weirdest people you will ever see". My biggest regret of the weekend, I did not get any digits from the three UW sorority sisters we talked to at the Sol concert...damn.
Jack white capped off an epic Saturday at Sasquatch on the main stage. By far the best showman, musician, and overall best performer we saw, Jack white captivated the crowd of 25,000 with several new tracks of his solo album "Blunderbuss" in addition to a number of White Stripes songs. Finishing with "Seven Nation Army", the crowd screamed for an encore for almost ten minutes after the band walked of stage. It was truly a concert to remember. While walking out of the concert I ran into Jason Reid, director of Sonics gate who was sporting his usual sonics hat and sweatshirt, and got to talk to him about the future of basketball in Seattle. Keep doing what your doing Sonicsgate! #Robbed #Gospurs
Sunday marked our last day at the festival. We started by seeing my new favorite artist ReignWolf at one of the festival's smaller stages. Reignwolf, A.K.A Jordan Cook and his band mixed bluesy guitar licks with heavy bass lines and aggressive drumming. Reignwolf closed out his performance with my favorite song of his "In the Dark", before playing a ten minute guitar solo while sitting on the shoulders of one of the security guards. Reignwolf will certiantely receive his own blog post in the future, as he was by far my best discovery of the weekend.
Next we took front row spots for Seattle's Dyme Def. Dyme Def made a considerable effort to connect with the crowd. At the beginning of the concert as joints were openly rolled and lit, Dyme Def frontman "Fierce Villain" made his way to the front of the crowd and took a hit from a fans joint before passing it back to us in the front row. It set the tone for the show as Dyme Def played an intimate set, finishing with their most famous song "Let it be". Be sure to check out the new and long awaited video for that song below.
As we left the Gorge, I couldn't help but feel a great deal of sadness, as college will likely conflict with Sasquatch's for many years to come. However, I am truly grateful that I had the opportunity to see some great music in one of the most beautiful venues in the world with some of my best friends.
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